York
Minster and Durham Cathderal are historically and architecturally
two of the most important cathedrals in Europe. They were the
only cathedrals in the region until Ripon’s Minster and Newcastle’s
church of St Nicholas became cathedrals in 1836 and 1 882. York
cathedral, although known as a minster, is officially the “Cathedral
and Metropolitical Church of St Peter in York”. By definition
a cathedral is the site of a bishop’s throne (a cathedra) but
the word ‘cathedral’ did not come into use until af ter the Norman
conquest. In Anglo-Saxon times important churches were minsters,
but not all were bishops’ seats.
COMPARISON
OF DURHAM CATHEDRAL AND YORK MINSTER
YORK’S ANGLO-SAXON MINSTER
York Minster’s history
began in 627AD when King Edwin of Northumbria was baptised in
a simple wooden church at York within the site of the old Roman
fort. The church was approved by the Pope and its dedication to
St Peter reflected its links with Rome. T he wooden church was
rebuilt in stone and completed by King Oswald but the bishop’s
seat was transferred for a time to Lindisfarne. The minster was
rebuilt again in 664AD and again after a fire in 741AD. It was
eventually destroyed during the Norman sieg e of the city in 1069.
THE DURHAM MINSTER
The predecessors of the
bishops of Durham were the bishops of Lindisfarne who transferred
their diocese to Chester-le-Street in 883AD. A Saxon minster was
built and a succession of nine bishops reigned there until moving
to Durham in 995AD. A wooden mins ter was built at Durham in 995AD
and rebuilt in stone in 999AD. It stood for 94 years until 1093
when it was replaced by the Norman cathedral.
YORK’S LOST NORMAN CATHEDRAL
York Minster is built
in the Gothic style of architecture but what is not widely known
is that York was once, like Durham, a Norman cathedral. The Norman
cathedral at York was started before Durham in 1070 by the Archbishop
of York Thomas of Bayeux and a Norman choir was added towards
the end of the following century (after Durham) by Archbishop
Roger of Pont L’Eveque. Roger’s work seems to have been influenced
by Durham Cathedral, but the only remains of the Norman Cathedral
at York are below ground le vel in the minster crypt.
DURHAM'S NORMAN CATHEDRAL
Durham Cathedral is widely
regarded as Europe’s finest Norman (or Romanesque) cathedral.
It is almost entirely Norman in style and the work of Bishop William
of St Carileph. It was completed in 39 years from 1093-1132 but
some of the old priory buildings around the cloisters are earlier.
One notable feature of the cathedral is the rounded pillars (or
piers) with their zig-zags, spirals and other patterned decorations.
DURHAM’S ARCHITECTURAL ACHIEVEMENTS
The innovative ribbed
vaulting at Durham was the first of its type in the world and
enabled much higher vaulting through the use of pointed, ribbed
arches. The pointed arches in the Norman nave at Durham were the
embryonic stages of the style of architec ture which would come
to be known as Gothic. Another architectural feature developed
at Durham was Flying Buttresses which gave extra support to the
vaulting. They are high in the roof of the Triforium and not on
view to the public.
YORK’S CONVERSION FROM NORMAN TO GOTHIC
York Minster represents
almost every stage of the Gothic style of architecture from 1230
to 1475. The Gothic style is most notable for its distinctive
pointed arches and its rich decoration. The present York Minster
was built from 1220 and the old Norman cathedral was dismantled
in stages as Gothic additions were made. The Gothic style was
adopted at York to keep up with the new fashion and to allow considerable
enlargement to the cathedral in keeping with its status as the
centre of an Archbishopric.
YORK'S GOTHIC MINSTER
YORK
Minster was started around
1220 by Archbishop Walter de Grey (1216-1255). He replaced the
Norman transepts with Early English Gothic transepts in the period
1227 to 1260. The new transepts dwarfed the Norman nave so one
of Grey's successors, Archbi shop John Romanus, replaced the nave
with a new Gothic structure from 1291. The Norman choir was replaced
by Archbishop Thoresby from 1361 and by 1400 the minster was entirely
Gothic. The central tower was added in 1405-1415, using money
donated by Walte r Skirlaw, the Bishop of Durham, and the western
towers added from 1433 to 1475. The minster was finally completed
and consecrated on July 3, 1472.
DURHAM'S LADY CHAPEL
Although most of Durham
cathedral was built in the period 1093-1132, there were three
major additions: the Galilee Chapel, the Chapel of the Nine Altars
and the great central tower. The Galilee chapel (or Lady Chapel)
is situated at the west end of the c athedral beneath the twin
towers and is most famous as the site of Bede's tomb. It was built
by Bishop Hugh Pudsey in 1174 and is late Norman in style. The
building has the appearance of a Moorish palace.
DURHAM'S GOTHIC ADDITION
DURHAM'S
Chapel of the Nine Altars
(a transept) lies at the east end of Durham cathedral and is Early
English Gothic in style dating from the time of Bishop Richard
Poore (1228-1237). Poore later became Bishop of Salibsury and
built the cathedral there. The Nine Altars was built to accommodate
vast numbers of pilgrims visiting St Cuthbert's shrine. Its measurements
and structure were based on a transept at Fountains Abbey, but
the mason miscalculated the dimensions. Examination of the chapel
roof reveal s the mistake. The main feature of the chapel is the
great Rose Window.
SAINTLY SHRINES
Pilgrims were a rich source
of revenue for Medieval cathedrals and before the murder of Thomas
Beckett at Canterbury Cathedral in 1170, St Cuthbert's shrine
at Durham was the most visited. It was one of the most richly
decorated monuments in England. The remains of Bede were an added
attraction at Durham but York lacked a saint's shrine. In the
13th Century William Fitzherbert, Archbishop of York, was posthumously
canonized and became St William of York. This encouraged pilgrims
to visit York and helped the minster compete with other shrines
such as St John Lee's at Beverley Minster.
THE BUILDING MATERIALS
DURHAM
Cathedral is built of sandstone
mined from quarries at Kepier, a mile along the Wear east of Durham.
Black Frosterley marble from Weardale is extensively used for
decoration in the cathedral. It is embedded with fossilized sea
shells. York Minster is built of Oolitic limestone from the Tadcaster
area and gives the minster its white appearance.
STAINED GLASS
Fine examples of stained
glass can be found in Durham and York, but York has the highest
proportion of Medieval stained glass of any European cathedral.
Both cathedrals have magnificent Rose Windows, York's is known
as the Heart of Yorkshire. One of the more unusual windows at
Durham is the Last Supper, a 20th Century window installed in
1984.
ARCHBISHOPS AND PRINCE
BISHOPS
In terms of the church,
the archbishops of York were always of senior rank to the bishops
of Durham. In Medieval times the bishops of Durham held political
powers (as Prince Bishops) which gave them additional status.
Their throne at Durham is the highes t in Christendom and higher
than that of the Archbishop of York.
DURHAM MONASTERY
One of the key differences
between Durham Cathedral and York Minster is that Durham had a
monastery attached to it and York did not. The buildings of Durham
monastery (dissolved in 1540) were clustered around the cloister
on the south of the cathedral an d were administered by a Prior.
OTHER CATHEDRALS
Ripon Cathedral dates
from between 1080 and 1500 but it did not become a cathedral until
1836. Its diocese stretches from the outskirts of Leeds to the
south side of Teesdale. Beverley Minster and Hexham Abbey, although
not cathedrals, are historic churches with features to rival many
smaller cathedrals. Newcastle's cathedral of St Nicholas, dating
from around 1350, was the most important Medieval parish church
in Newcastle. It became a cathedral in 1882. The diocese of Newcastle
covers the whole of New castle and Northumberland, which formerly
belonged to Durham.
THE CATHEDRALS (Norman
period) other dates